2001 in 70mm: Pod bay doors look better than ever, still won’t open

If I'm deep-down honest with myself, the reason I love 2001: A Space Odyssey is the same reason I love most Stanley Kubrick films: because I love watching people and things move inevitably from Point A to Point B.

He's done it with spaceships (2001), armies (Barry Lyndon), trenches (Paths of Glory), Big Wheels (The Shining), leapfrogging (Full Metal Jacket), and walking the streets of New York (Eyes Wide Shut). Ars Senior Editor Lee Hutchinson once told me that, growing up, he was so fascinated with the docking sequence from 2001 that he would watch it over and over again on VHS.

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